BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, March 5, 2017

“Monsieur du Miroir” by Nathaniel Hawthorne (post 5): The author sees his double, who, if he does know the secret of life, declines to reveal it.

The conceit of this humorous short story is that the author has long known Monsieur du Miroir, who looks exactly like the author, but is someone else. 

“He bears, indisputably, a strong personal resemblance to myself, and generally puts on mourning at the funerals of the family. On the other hand, his name would indicate a French descent; in which case, infinitely preferring that my blood should flow from a bold British and pure Puritan source, I beg leave to disclaim all kindred with M. du Miroir” (1).

To a reader who does not have multiple personality, this story starts out as quite amusing—it is well written—but the one joke soon wears thin, since the premise of seeing someone else in the mirror seems preposterous.

To a reader who does have multiple personality, the story starts out as quite amusing, but the joke may not be just a joke, since alternate personalities are sometimes seen in mirrors. And some alternate personalities do look just like the host personality (hence, the literary term, “double”).

1. Nathaniel Hawthorne. “Monsieur du Miroir” (1837). From Mosses from an Old Manse (1846, 1854). http://www.eldritchpress.org/nh/mdum.html

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