BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, March 15, 2017

Shirley Jackson (post 8) on Writing: Notes she writes to herself while awake, and other notes she writes to herself while she is supposedly asleep.

Notes Written Awake
“When I start writing a book, I go around making notes, and I mean that I literally go around making them; I keep pads of paper and pencils all over the house…I am apt to find, in the laundry list, a scribble reading, ‘Shirley, don’t forget—no murder before chapter five’…or ‘Shirley, have old man fall downstairs.’ When I am ready to write the book, I go and collect all my little scraps of paper and try to figure out what I was thinking when I wrote them” (1, p. 392).

Why do these notes address “Shirley”? They could not be mistaken for anyone else’s notes. They were obviously written by the only novelist of the house; written by Shirley for herself. Yet the notes are written as if someone else were addressing Shirley to help her write her book. 

Moreover, Shirley does not say she has to remember what she was thinking when she wrote these notes; rather, she has to “try to figure out what I was thinking when I wrote them,” as if they were originally someone else’s (an alternate personality’s) ideas.

Notes Written Supposedly Asleep
People with MPD (multiple personality disorder) “frequently have the experience of waking up in the morning and finding evidence that they were busy during the night, although they do not remember anything. They may find drawings, notes, poems, relocated furniture, discarded clothing, or other evidence that they have been up and busy. If this is a common life experience for a patient, there is an excellent chance that he or she has MPD” (2, p. 81).

Sleepwalking or somnambulism that has nothing to do with multiple personality is usually relatively simple behavior. Although there can be more complex behavior, such as driving a car or engaging in sex, the behavior is relatively habitual and automatic; whereas, in multiple personality, that which alternate personalities do while the person (host personality) assumes that she or he has been asleep are things for which a person would probably have had to have been awake.

One Example
“I was talking casually one evening recently to the husband of a friend of mine, and he mentioned his service in the Marines. I said, ‘Oh, yes, your rifle number was 804041,’ and then we kind of stared at each other dumbfounded, since one does not usually just happen to know the rifle numbers of the husbands of friends. We finally remembered that some months before, during a similar conversation after another bridge game, he had mentioned his Marine service, and remarked that one thing he would never forget was his rifle number, 804041…

“I was having a good deal of trouble at the time, working over a new novel that somehow refused to go together right…One night I gave up; I shoved the typewriter away and…went to bed, somehow forgetting to set the alarm clock.

“When I came rushing downstairs the next morning, half an hour late…I did not go at once into the study…it was not until much later in the morning that I went near my desk, but when I did, I got one of the really big shocks of my life. A sheet of paper had been taken…and put directly into the center of the desk, right where it would be most visible. On this sheet of paper was written, in large figures, and in my own writing with my own pencil, 804041.

“Now, I have walked in my sleep frequently, particularly when I am under pressure with a book, and have done odd things in my sleep, but I have rarely taken to writing notes to myself, and particularly not in code…Clearly, I was remembering this number as a clue to something else…”

Then Shirley remembered that the former Marine had told her about a woman member of an anti-Fascist organization who had been taught to “withdraw her mind from her body” so that she would not break under torture.

“When I remembered all of this and went back to my book again, I found that the trained ability to separate mind from body, a deliberate detachment, was the essential characteristic I had been looking for for my heroine, and was what I had been trying to tell myself by [the number]…(1, pp. 378-380).

Another Example
“Two weeks ago, I had written part of the beginning of the book and was having a great deal of trouble making it go together and could not find a suitable name for my secondary female character. One evening…finally I decided to give up…and I stomped furiously up to bed.

“The next morning, when I went to my desk, I found a sheet of typing paper…set right in the middle. On the paper was written, ‘oh no oh no Shirley not dead Theodora Theodora.’ It was written in my own handwriting, but as though it had been written in the dark.

“I have always walked in my sleep, but I don’t think I have ever been so frightened. I began to think that maybe I had better get to work writing this book awake, because otherwise I was going to find myself writing it in my sleep…Since then, the book has been going along nicely, thank you, and my female character is named Theodora and is turning out quite well.

“Now, incidentally, you can see why a writer might be reluctant to explain where ideas for books come from” (1, pp. 392-393).

1. Shirley Jackson. Let Me Tell You: New Stories, Essays, and Other Writings. Edited by Laurence Jackson Hyman and Sarah Hyman Dewitt. Foreword by Ruth Franklin. New York, Random House, 2015.
2. Frank W. Putnam MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.