BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, March 24, 2017

“Stop Reading My Fiction as the Story of My Life” by Jami Attenberg in New York Times Book Review: She avoids the real issue of how novels are written.

If there is anything more annoying than a reader who asks if a novel is autobiographical, it is a writer who pretends to misunderstand the question.

Readers are not really asking if the author had been fat like a character. They are asking how novels are written.

Here is what Attenberg says about her creative process:

“…I write fiction because it is a beautiful place to hide…It is a fictional universe. And how do you even explain the creative process…I have the possibility with fiction to make a character feel more real than with nonfiction…Fiction is a magic trick of sorts…at best it doesn’t just conjure up an imaginary world; it makes the real one disappear, it makes the author disappear…” (1).

Although some of the above is meant to describe the reader’s experience, all of it is probably Attenberg’s experience as the writer: She does not understand her creative process, but her fictional universe is a beautiful place to hide, where her regular self disappears, and her characters feel more real than real.

That is what readers are asking about, but they find it annoying that Attenberg and other authors do not elaborate.

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