BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Sunday, April 23, 2017

Anne Sexton (post 2): “It’s a little mad, but I believe I am many people…I become someone else…even in moments when I’m not writing the poem”

“It’s a little mad, but I believe I am many people. When I am writing a poem, I feel I am the person who should have written it. Many times I assume these guises; I attack it the way a novelist might. Sometimes I become someone else, and when I do, I believe, even in moments when I’m not writing the poem, that I am that person. When I wrote about the farmer’s wife, I lived in my mind in Illinois; when I had the illegitimate child, I nursed it—in my mind—and gave it back and traded life. When I gave my lover back to his wife, in my mind, I grieved and saw how ethereal and unnecessary I had been. When I was Christ, I felt like Christ. My arms hurt, I desperately wanted to pull them in off the Cross. When I was taken down off the Cross and buried alive, I sought solutions; I hoped they were Christian solutions.”

from Anne Sexton interview with Barbara Kevles in 1968, published in The Paris Review, 1971. https://www.theparisreview.org/interviews/4073/anne-sexton-the-art-of-poetry-no-15-anne-sexton
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