BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Sunday, April 2, 2017

Fiction Writing: Ideas come from alternate consciousness (alternate personalities, not “the unconscious”), so learn how many you have and consult them.

As a fiction writer, you already confer with some of your alternate personalities: muses, characters, narrators, voices. (They are alternate personalities if they are autonomous and have minds of their own.)

However, in the course of writing, you have probably noticed that some creative input cannot be attributed to either your regular self or any of the above, known sources. Where does the mysterious input come from?

It comes from alternate personalities you have not yet met. There are two ways to meet them.

First, when you are in the altered state of consciousness that you normally use to write, you can ask the alternate personalities you already know (see above) to introduce you to others, whom they know; and if you are given their names, ask for them by name. Second, when you are in the altered state of consciousness that you normally use to write, you can think of the specific, unaccounted for input, and ask to speak to whomever deserves the credit.

You may have to persevere and repeat such inquiries until your more hidden and reticent personalities feel they can trust you. The reason you may have to inquire about them in terms of the specific things they have done rather than by name, is that many alternate personalities are either nameless or reveal their names very reluctantly.

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