BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, April 6, 2017

“My Ántonia” by Willa Cather (post 3): Jim speaks to Ántonia, not as a man would speak to a woman, but as male host personality to female alternate personality.

In the following passage, Jim says he likes Ántonia so much that she would have made a wonderful person in her own right. But the fact is, she is a part of his own mind.

No man would say to a real woman that he’d be equally happy to have her as a sweetheart, wife, mother, or sister:

“Do you know, Ántonia…I’d have liked to have you for a sweetheart, or a wife, or my mother or my sister—anything a woman can be to a man. The idea of you is a part of my mind; you influence my likes and dislikes, all my tastes, hundreds of times when I don’t realize it. You really are a part of me” (Book IV, Part IV) (1, p. 312).

The title of this novel is not “Ántonia,” a person in her own right, but “My Ántonia,” Jim’s alternate personality, Ántonia.

Willa Cather’s signatures and pseudonyms (see past post) suggest that she had both female and male personalities.

1. Willa Cather. My Ántonia. Edited by Charles Mignon with Kari Ronning. Historical Essay and Explanatory Notes by James Woodress with Kari Ronning, Kathleen Danker & Emily Levine. Lincoln, University of Nebraska Press, 1994.

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