BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, May 14, 2017

“The Great Gatsby” by F. Scott Fitzgerald (post 7): The title expresses contempt for Gatsby as being an alternate personality who will be killed off.

“It was when curiosity about Gatsby was at its highest that the lights in his house failed to go on one Saturday night—and, as obscurely as it had begun, his career as Trimalchio was over” (1, p. 113).

Fitzgerald thought of Gatsby as Trimalchio.

Who is Trimalchio? The fictional character “Trimalchio is an arrogant former slave, who has become quite wealthy by tactics that most would find distasteful…The term ‘Trimalchio’ has become shorthand for the worst excesses of the nouveau riche” (2).

Fitzgerald had “preferred titles referencing Trimalchio…but was eventually persuaded that the reference was too obscure and that people would not be able to pronounce it. His wife, Zelda, and [his editor] Perkins both expressed their preference for The Great Gatsby” (3).

However, “The Great Gatsby,” while more marketable, still expresses contempt for the character, since the truly great people in history almost always have “the great” following their names—e.g., Alexander the Great (4)—whereas pretentious entertainers are called “the great” this or “the great” that. 

To understand this novel, you must keep in mind that the original person is James Gatz (see prior post). “Jay Gatsby” is an alternate personality, whose time to be out and in control has come and gone.

In multiple personality, alternate personalities may think of their having control taken away from them and their being forced to go back inside as being killed off, so to speak. The novel translates this into ordinary terms when Jay Gatsby is literally killed off at the end.

1. F. Scott Fitzgerald. The Great Gatsby [1925]. New York, Scribner, 2004.

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