BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, June 14, 2017

“Don Quixote” by Cervantes (post 4): A Novel about The Novel, in which Don Quixote is novelist with multiple personality, and Sancho Panza the reader.

One of the most common pieces of advice given by established novelists to aspiring novelists is to read, read, read (works of fiction). Most novelists are avid readers. And this is true of Don Quixote. (He has been an avid reader of stories about knights-errant and chivalry.)

Another thing novelists must do, while they are writing a novel, is believe in the reality of their novel’s world and characters. It must all feel real to them. How real? As more than one novelist has said, “more real than real.”

Meanwhile, the reader, like Sancho Panza, in the hope of being amply rewarded, must go along for the ride.

“Madness”
Don Quixote, who represents novelists, often seems crazy. But it is not just any kind of madness. What kind is it?

He is described as having switched from his regular personality, Alonso Quixano, to an alternate personality, Don Quixote—who has his own view of reality, as do most alternate personalities—and as finally switching back to his regular personality, Alonso Quixano.

Switching between personalities is NOT seen in schizophrenia or bipolar disorder. Indeed, it is not seen in ANY psychosis listed in the psychiatric diagnostic manual. It is seen ONLY in the nonpsychotic, dissociative identity disorder, multiple personality.

I don’t trivialize the clinical version of multiple personality, which may involve very serious distress and dysfunction. But novelists, like most people with multiple personality, have a normal version. That is, they have alternate personalities, etc., but do not have clinically significant distress and dysfunction. And without the latter, the former may be used to advantage.

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