BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Monday, June 19, 2017

Jeanette Winterson (post 2) adds that various writers have written of their regular self as being another character; that is, just one of their multiple personalities.

“My first novel Oranges Are Not The Only Fruit uses a character called Jeanette…Henry Miller, Philip Roth, Paul Auster and Milan Kundera have all used themselves as their own aliases…Beckett” said, “this is me and not me, this is myself but it is someone else” (1).

1. Jeanette Winterson. “The malice and sexism behind the ‘unmasking’ of Elena Ferrante.” The Guardian, October 7, 2016. https://www.theguardian.com/books/2016/oct/07/unmasking-elena-ferrante

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