BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Friday, June 23, 2017

“Madness” in “Don Quixote” by Cervantes (post 6): Most literary criticism accepts the meaningless term “madness” and avoids Don Quixote’s diagnosis.

In my previous post, I pointed out that an eminent Cervantes scholar had said four contradictory things about Don Quixote’s “madness.” My main concern was that he did not discuss—did not seem to care—whether or not Don Quixote had a diagnosable condition (which I discussed in another post).

As you can see from Don Quixote and by searching “madness” in this blog, the literary use and acceptance of the word “madness” is an old, bad habit. The word does not mean anything specific. In the twenty-first century, its use is lazy.

I suggest that novelists, literary scholars, and writers in general put the following two books on a shelf in the room where they write:

1. American Psychiatric Association. Diagnostic and Statistical Manual of Mental Disorders, Fifth Edition (“DSM-5”). Arlington VA, American Psychiatric Association, 2013.
2. Frank W. Putnam, M.D. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

Whenever you are tempted to use or accept the word “madness,” look at these two books on your shelf and don’t do it.

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