BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Sunday, July 9, 2017

Authorial Intent: Literary fiction often does not originate with an idea or thesis, making so-called “authorial intent” only the author’s retrospective interpretation.

In thinking about my last post, on the reasons that some great novels are hard to understand, I came across a Wikipedia entry on the various schools of thought about how to know and value what the author intended: https://en.wikipedia.org/wiki/Authorial_intent

However, many authors of literary fiction do not start from an idea or thesis. They may start with an image, a feeling, or a line that pops into their mind. And if they don’t start from an idea or thesis, how can they be said to have had an intention?

You might argue that authorial intent comes during the writing of the novel, as characters and story develop. Don’t writers say that they know what they think when they see what they write? But that is not authorial intent, but authorial, retrospective, interpretation.

What about the intentions of the author’s muse and other alternate personalities? They might have ideas or theses, which may, for all practical purposes, be the authorial intent. True. But these personalities may not agree with each other, meaning there would be no, one, intention.

I prefer to interpret what the author did not intend.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.