BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Friday, August 18, 2017

George Prochnik’s New York Times Book Review of Frederick Crews’ “Freud: The Making of an Illusion” perpetuates myth of Freud and the unconscious.

Conundrum
“Yet, confoundingly, Freud ‘is destined to remain among us as the most influential of 20th-century sages,’ Crews writes, claiming that the attention bestowed on him by contemporary scholars and commentators ranks with that accorded Shakespeare and Jesus. Here is a fascinating conundrum: The creator of a scientifically delegitimized blueprint of the human mind and of a largely discontinued psychotherapeutic discipline retains the cultural capital of history’s greatest playwright and the erstwhile Son of God” (1).

Solution
Freud retains his “cultural capital,” because The New York Times, George Prochnik, and many other writers perpetuate the myth that Freud discovered the unconscious.

The book review’s paragraph on Freud’s allegedly enduring contributions begins with “The idea that large parts of our mental life remain obscure or even entirely mysterious to us” (1); that is, the unconscious.

I easily debunked that myth in my March 31, 2017 post, “The Unconscious: First, Freud did not discover it (it was already well known); Second, it’s a misnomer, since it refers to conscious, alternate personalities.” I simply quoted from Wikipedia’s historical review, which shows widespread appreciation of the unconscious before Freud came along (2).

In short, the main reason that Freud continues to have “cultural capital” is that publications like The New York Times continue to credit him with discovering the unconscious. He did not.

Moreover, as I argued in my March 31, 2017 post, “the unconscious” may be a misnomer for dissociated, multiple consciousness.

1. George Prochnik. “The Curious Conundrum of Freud’s Persistent Influence” https://www.nytimes.com/2017/08/14/books/review/freud-biography-frederick-crews.html?mcubz=0
2. Wikipedia. “Unconscious Mind.” https://en.wikipedia.org/wiki/Unconscious_mind

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