BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, August 25, 2017

“Steppenwolf” by Hermann Hesse (post 4): Mirrors in Magic Palace like mirrors in textbook on multiple personality; Hesse on psychiatry and Art of Life.

In the Magic Palace, Harry first sees himself in a mirror as being two personalities, the man, Harry, and the steppenwolf.

“I fixed my eyes on the little mirror, where the man Harry and the wolf were going through their convulsions” (1, p. 317).

Then Harry sees himself in another mirror as being many people, ranging from childhood to old age. (This is like alternate personalities in multiple personality, which come in different ages, beginning in childhood, when multiple personality starts.)

“I faced the gigantic mirror on the wall. There I saw myself…But I had scarcely had time to recognize myself before…A second, a third, a tenth, a twentieth figure sprang from it till the whole gigantic mirror was full of nothing but Harrys…Some of the multitudinous Harrys were as old as I, some older, some very old. Others were young. There were youths, boys, schoolboys, scamps, children. Fifty-year-olds [Harry’s age] and twenty-year-olds…” (1, pp. 319-320).

“[Multiple Personality] patients often report seeing themselves as different people when they look into a mirror…They may describe themselves sequentially change into several different people while looking into a mirror (2, p. 62).

Psychiatry
Hesse’s character relates the multiplicity of selves to psychiatry, but gets multiple personality confused with schizophrenia, or as he calls it, “schizomania”: “The separation of the unity of the personality into these numerous pieces passes for madness. Science has invented the name schizomania for it. Science…is wrong insofar as it holds that one only and binding and lifelong order is possible for the multiplicity of subordinate selves…In consequence of this error many persons pass for normal, and indeed for highly valuable members of society, who are incurably mad; and many, on the other hand, are looked upon as mad who are geniuses…(1, pp. 342-343).

Hesse’s term “schizomania” reflects a confusion between multiple personality and schizophrenia. Having many selves is not seen in schizophrenia. It is the defining symptom of multiple personality.

Art of Life
One room in the Magic Palace is for reorganizing a person’s multiple selves. And as Harry is told: “This is the art of life. You may yourself as an artist develop the game of your life and lend it animation. You may complicate and enrich it as you please. It lies in your hands. Just as madness, in a higher sense, is the beginning of all wisdom, so is schizomania the beginning of all art and all fantasy (1, p. 345).

Correcting “schizomania” to “multiple personality,” Hesse’s character is saying that multiple personality is the basis of all art and fantasy. I would not say “all,” but otherwise I agree.

1. Hermann Hesse. Steppenwolf [1927]. Translation from the German by Joseph Mileck and Horst Frenz (1963). New York, Picador Modern Classics/Farrar Straus Giroux, 2015.
2. Frank W. Putnam MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

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