BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Wednesday, September 6, 2017

“John Ashbery, the Gift of Quiet Moments” by David Orr in New York Times suggests the late eminent poet and his poems have multiple narrators and identities.

John Ashbery said that he often feels “like a person I know nothing about.” What’s his name? “If I knew that,” Ashbery answered, “I’d know something about him” (1).

To sometimes sense the presence of, or feel that you are, another person, a person from whom your regular self is dissociated, and knows nothing about, not even his name, is an experience that might occur in multiple personality.

Search “nameless” and “namelessness” to see past posts on this recurring topic.

“An Ashbery poem shifts from ‘I’ to ‘we’ to ‘he’ without warning” (1).

Such shifts in perspective are seen in persons with multiple personality.

Of course, if John Ashbery, like many other great fiction writers, had multiple personality, it would have been a normal, nonclinical version.

1. David Orr. “John Ashbery, the Gift of Quiet Moments.” https://www.nytimes.com/2017/09/05/books/john-ashbery-poet-appraisal.html?mcubz=0

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