BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, October 25, 2017

Jean-Paul Sartre (post 3): Since Søren Kierkegaard and Fyodor Dostoevsky were existentialists, too, is Existentialism rooted in multiple personality?

It is possible that Sartre’s major philosophical work, Being and Nothingness (1943), was inspired, at least in part, by the kind of existential crisis experienced by the protagonist of his novel, Nausea (1938). So the nature of that crisis is relevant.

In previous posts, I pointed out that the protagonist’s symptoms of personality changes (“sudden transformations”) and travel with amnesia (dissociative fugue) support a diagnosis of multiple personality (aka dissociative identity).

So it may be no accident that Kierkegaard is considered to be a founding philosopher of Existentialism, and Dostoevsky (The Double, etc.) is considered to be one of the first existentialist novelists. (Search Dostoevsky and Kierkegaard in this blog for posts related to their multiple personality.)

One past post quotes Kierkegaard as follows:

“…in the pseudonymous works there is not a single word which is mine, I have no opinion about them except as a third person, no knowledge of their meaning except as a reader, not the remotest private relation to them…My wish, my prayer, is that if it occur to anyone to cite a particular saying from the books, he do me the favor to cite the name of the respective pseudonym…

“Each time I wish to say something, there is another who says it at the very same moment. It is as if I were always thinking double, as if my other self were always somehow ahead of me…” (1, pp. 135-151).

1. Josiah Thompson. Kierkegaard. New York, Alfred A. Knopf, 1973.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.