BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Saturday, November 25, 2017

“The Lord of the Rings” by J. R. R. Tolkien (post 11): Narrator fails to recognize multiple personality, even when the alternate personalities debate.

For most of the time that the magic ring had been out of the picture, the Sméagol personality had probably stayed inside, did not come out, and did not pay much attention to what was going on in the outside world, leaving that to the Gollum personality to manage. But now that the presence of the ring (in Frodo’s possession) has brought the Sméagol personality out, he is quite engaged. In multiple personality, alternate personalities come out when what they are interested in is at issue.

Indeed, regarding the issue of the ring, Sméagol and Gollum disagree. Sméagol wants to keep his promise to follow Frodo as his master (since Frodo has the magic ring), but Gollum wants them to take the ring away from Frodo, making them “Lord Sméagol” and “Gollum the Great” (1, p, 633).

The narrator, who does not know multiple personality when he sees it, introduces the debate between the Sméagol personality and the Gollum personality (1, pp. 632-633) as a debate between a person and a thought: “Sméagol was holding a debate with some other thought that used the same voice but made it squeak and hiss. A pale light and a green light alternated in his eyes as he spoke” (1, p. 632).

The narrator describes an autonomous thought process, with different enunciation, and with eyes that emanate a green light—not to mention its own, separate, sense of self—which is a dramatized alternate personality, not just “some other thought.”

When you are ambivalent and have an ordinary “debate with yourself,” you have a subjective sense of taking both sides, which is not the case in the debate between Sméagol and Gollum, who have separate senses of self and are alternate personalities.

1. J. R. R. Tolkien. The Lord of the Rings [1954-55]50th Anniversary One-Volume Edition. New York, Houghton Mifflin Harcourt, 2004.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.