BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Saturday, December 2, 2017

“The Lord of the Rings” by J. R. R. Tolkien (post 14): Like Sméagol-Gollum (widely recognized for multiple personality), Sam Gamgee debates himself.

Most readers of this novel do not recognize the following dialogue as being between Sam and an alternate personality, because the latter does not have its own name. But regular readers of this blog know that in real-life multiple personality, alternate personalities are often nameless (search “nameless” and “namelessness” in this blog) or at least decline to volunteer their names.

When persons who do not have multiple personality debate themselves, the same “I” takes both sides, so “I” is never surprised or taken aback by what is said. The debate is not a true dialogue in which two independent thinkers argue.

But the following is a true dialogue in which Sam and his alternate personality argue:

     “He could not sleep and he held a debate with himself. ‘Well, come now. We’ve done better than you hoped,’ he said sturdily. ‘Began well anyway. I reckon we crossed half the distance before we stopped. One more day will do it.’ And then he paused.
     ‘Don’t be a fool, Sam Gamgee,’ came an answer in his own voice… ‘And you can’t go on much longer…’
     ‘I can go on a good way though, and I will.’
     ‘Where to?’
     ‘To the Mountain, of course.’
     ‘But what then, Sam Gamgee, what then? When you get there, what are you going to do?
     To his dismay Sam realized that he had not got an answer to this. He had no clear idea at all…
     ‘There you are!’ came the answer. ‘It’s all quite useless…You are the fool, going on hoping and toiling…You might just as well lie down now and give it up. You’ll never get to the top anyway.’
     ‘I’ll get there, if I leave everything but my bones behind,’ said Sam. ‘And I’ll carry Mr. Frodo up myself, if it breaks my back and heart. So stop arguing!’ ” (1, p. 939).

Comment
The above is what I have called “gratuitous multiple personality”: the author probably did not intend to portray multiple personality, per se, but does so inadvertently, because, in the author’s own personal experience, it is just ordinary psychology. The author does not realize that everyone does not think this way.

Like the author, most people with multiple personality think that other people probably have similar subjective experiences (internal dialogues, memory gaps, etc.), but that other people don’t mention it, because it is too mundane or personal. Novelists might discover that their spouse does not have similar subjective experiences, but that other fiction writers do.

Sam’s unintentionally portrayed multiple personality is one more example of how an author’s multiple personality inadvertently pervades his novel.

1. J. R. R. Tolkien. The Lord of the Rings [1954-55]50th Anniversary One-Volume Edition. New York, Houghton Mifflin Harcourt, 2004.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.