BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, December 17, 2017

“Two Tricksters” (Book 13) in “The Odyssey” by Homer (post 7): Athena and Odysseus are each physically transformed, as seen in multiple personality.

Odysseus finally comes ashore in Ithaca, but since he has been away for twenty years, and has been disappointed so many times before, he is not sure where he is.

Athena, in the guise of a young man, a shepherd, assures Odysseus that he is in Ithaca. Odysseus, however, pretends to be a foreigner. 

Amused that they have both assumed false identities, Athena transforms herself into the body of a woman, acknowledges that she is Athena, and says to Odysseus, “You clever rascal! So duplicitous, so talented at lying! You love fiction and tricks…” (1, p. 326).

The two tricksters agree that he should spy on his enemies (the suitors of his wife) and assess his friends’ and family’s loyalty and devotion by assuming a disguise and being incognito. For this purpose, Athena physically transforms Odysseus into an ugly old man.

What is the significance of Athena’s and Odysseus’s physical transformations? Many other characters in the history of literature assume successful disguises without actual physical transformations. Is it adequate to say this is just the way that Greek gods did things?

The double or twin, a common literary metaphor for multiple personality, has some basis in reality, because some alternate personalities do see themselves as physically identical, but many alternate personalities differ from each other in body image. Many see themselves as being of different ages, sexes, hair colors, heights, weights, etc.

In short, reversible physical transformations are a very multiple personality kind of thing.

1. Homer. The Odyssey. Trans. Emily Wilson. New York, WW Norton, 2018.

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