BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Wednesday, January 10, 2018

Steve Bannon’s “Fight Club” self-reference is quoted and repeated without explaining it is the title of a book and movie about someone with multiple personality.

“We call ourselves ‘the Fight Club.’ You don’t come to us for warm and fuzzy. We think of ourselves as virulently anti-establishment, particularly ‘anti-’ the permanent political class. We say Paul Ryan was grown in a petri dish at the Heritage Foundation. We hire people who are freaks. They don’t have social lives. They’re junkies about news and information.” — Steve Bannon (1).

Bannon’s self-reference to “the Fight Club” is mentioned in a new article in The New York Times (2), but no explanation is given about multiple personality.

My two past posts explain what “Fight Club” means:
June 25, 2017
“Fight Club” by Chuck Palahniuk: Protagonist has “split personality,” but author’s Afterword about writing novel does not mention multiple personality.
There are two major issues in this novel: the protagonist’s multiple personality and the fight clubs.

The author’s Afterword does discuss the fight clubs. Palahniuk says, “The whole idea of a fight club wasn’t important. It was arbitrary…The fighting wasn’t the important part of the story” (1, p. 213). Which would leave multiple personality as the basic reason that this novel was written.

The novel is explicit about the protagonist, who ultimately says: “I’m not Tyler Durden. He’s the other side of my split personality. I say, has anybody here seen the movie Sybil?”(1, p. 196). Why, then, is the issue of multiple personality not even mentioned in an author’s Afterword about why and how the novel was written? It is a remarkable omission.

In many past posts, I have used the terms “gratuitous multiple personality” and “unacknowledged multiple personality” to refer to multiple personality that was present in a novel for no apparent reason except that it probably reflected the author’s own psychology. However, since multiple personality is integral to Fight Club and is explicitly acknowledged in the text, those concepts would not apply here. Will I have to coin another term for Palahniuk’s omission in his Afterword? Maybe not.

It is as if the person who wrote the Afterword were not the same person who wrote the novel: the former a person who does not think multiple personality worth mentioning, the latter a person with a great interest in it. The omission in his Afterword implies the author’s multiple personality.

1. Chuck Palahniuk. Fight Club [1996]. New York, W. W. Norton & Company, 2005.

“Fight Club” by Chuck Palahniuk (post 2): Public, Filmmaker, Publisher all try to ignore or minimize protagonist’s explicit, pivotal, multiple personality.

The Wikipedia entry for the novel makes relatively brief reference to alternate personalities, and does not mention multiple personality by name, except for a link at the bottom of the page to dissociative identity disorder (formal name for multiple personality). https://en.wikipedia.org/wiki/Fight_Club_(novel)

The Wikipedia entry for the film version makes only passing reference to “dissociated personalities” and does not discuss multiple personality by name. Moreover, the casting of two different actors for the protagonist’s alternate personalities (they share the same body) shows the filmmakers’ attempt to minimize the issue of multiple personality. https://en.wikipedia.org/wiki/Fight_Club

Even the novel’s publisher tries to ignore the protagonist’s multiple personality. The title of the novel, obviously, makes no reference to it. But there is also the copyright page’s list of subject headings under which the novel should be indexed. It makes no reference to multiple personality: 1. Millennialism—United States—Fiction. 2. Young men—United States—Fiction. 3. Apocalyptic fantasies. I. Title.

In short, even when multiple personality is an explicit, pivotal issue in a novel, many people try to minimize or ignore it, especially when the author does (see previous post).

Chuck Palahniuk. Fight Club [1996]. New York, W. W. Norton & Company, 2005.

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