BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Tuesday, February 20, 2018


Metafiction Fantasy “The Princess Bride” by William Goldman (post 2): Author says all he did was abridge “S. Morgenstern’s Classic Tale of True Love and High Adventure”

The first thirty-two pages of this fantasy novel are metafiction (1, 2). The first sentence is, “This is my favorite book in all the world, though I have never read it” (3, p. 1). Goldman goes on to explain that when he was a child, his father read him this book by S. Morgenstern, and that all Goldman has done is abridge Morgenstern’s book by leaving out the dull parts.

Since the fantasy story itself does not warrant this metafictional distraction, Goldman must have been very impressed by a subjective sense that he did not write it. Yet, as he well knew, no other person did write it. Therefore, “S. Morgenstern” must refer to one or more of Goldman’s alternate personalities, because the only way that a person can both be, and not be, the author of a novel, is multiple personality.

Goldman’s feeling that he did not write his novel is typical of novelists. For example, as noted in past posts, Charles Dickens confided to his friend and biographer, John Forster, “I do not invent it,” and Stephen King has said that his stories are “found objects.”

1. Wikipedia. “Metafiction” https://en.wikipedia.org/wiki/Metafiction
2. Wikipedia. “List of metafictional works” https://en.wikipedia.org/wiki/List_of_metafictional_works
3. William Goldman. The Princess Bride: S. Morgenstern’s Classic Tale of True Love and High Adventure, The “Good Parts” Version, Abridged by William Goldman [1973, 1998, 2003]. New York, Harvest/Harcourt, 2007.

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