BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Thursday, March 15, 2018


Magic Doors in “Exit West” by Mohsin Hamid: Which of the author’s three different explanations for magic doors most reflects his actual writing process?

In this novel, magic doors enable characters to migrate from one part of the world to another, instantaneously. How did the author come to use this fantasy literature device in this otherwise realistic novel?

In three interviews I found online, Hamid gave three different explanations. In one, he said that the novel was inspired by his own experience of being an immigrant, and that the magic doors were a way to minimize discussion of the trip from one country to another, which he felt was ultimately trivial.

In another interview, he said that he had been impressed with the way that modern technology makes international communication instantaneous; that magic doors were a metaphor for this; and that the novel evolved from the magic door metaphor.

In a third interview, when asked about the magic doors, he said that during the fiction writing process, a novelist believes in the reality of his characters, and he believed in their magic doors, too.

The third interview sounds most candid about his actual writing experience, while the first two sound like plausible, ex post facto, rationalizations.

A more general question is why magic doors, or magic portals of one sort or another, are such a common literary device (Alice, Harry Potter, etc). It probably reflects things widely experienced in the fiction writing process.

Mohsin Hamid. Exit West. New York, Riverhead Books, 2017.

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