BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Monday, June 11, 2018


“Less” by Andrew Sean Greer: First chapter asks who the narrator is; how many selves the protagonist has; whether the author knows how he wrote it

I have just read the first chapter of this Pulitzer Prize-winning novel.

The opening line—“From where I sit, the story of Arthur Less is not so bad.”—raises two questions: Who is the narrator? And does the story have a tragic ending?

The narrator seems to know everything that Arthur Less, a novelist, thinks and does, even when Less is alone, and I cannot see how anyone knows these things except Arthur Less, himself.

Then, toward the end of this first chapter, the narrator says he has known Less since he was twelve and Less was twenty-seven (1, pp. 37-39).

Perhaps something happens to Less, making him unable to tell his own story, but he has written his story or told it to an old friend.

Multiple Personality?
In this first chapter, there is one, apparently inadvertent, suggestion of multiple personality, in the discussion of Less’s custom-made blue suit:

“There is no Arthur Less without the suit…Chosen in haste from a wall of fabrics: not an ordinary blue…He loved whatever self had chosen it and after that wore it constantly” (1, p. 25).

Writing Process
“What does one ever ask an author except: ‘How?’ And the answer, as Less well knows, is obvious: ‘Beats me!’ ” (1, p. 8).

1. Andrew Sean Greer. Less [2017]. New York, Back Bay Books, 2018.

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