BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Monday, June 4, 2018


“Breakfast at Tiffany’s” by Truman Capote (post 5): Author’s uncertainty about his own name is reflected in naming of Holly, Narrator, and Cat

Holly has fled to South America or Africa. When leaving New York, she had abandoned her unnamed cat on the streets of Spanish Harlem. And the very last scene of the story is when the unnamed narrator finds the unnamed cat:

“I had found him. It took weeks of after-work roaming through those Spanish Harlem streets, and there were many false alarms—flashes of tiger-striped fur that, upon inspection, were not him. But one day, one cold sunshiny Sunday winter afternoon, it was. Flanked by potted plants and framed by clean lace curtains, he was seated in the window of a warm-looking room: I wondered what his name was, for I was certain he had one now, certain he’d arrived somewhere he belonged. African hut or whatever, I hope Holly has, too” (1, pp. 104-105, the end).

At the end, everyone has a name (Holly/Lulamae has at least two) except the narrator.

Did the author have naming issues? He did. Truman Garcia Capote was born Truman Streckfus Persons. He was renamed when he was adopted by his mother’s second husband. He expressed his own sense of what his real name was in a 1964 interview:

“I was born in New Orleans in 1924. (By the way, my name isn’t Capote at all—I’ll explain that later.) My father’s name is Persons, and he was a salesman” (2, p. 38).

He doesn’t say that Capote was not his original name. He says “my name isn’t Capote at all.” Which makes me wonder if he had a Capote personality and a Persons personality, and it was Persons speaking.

1. Truman Capote. Breakfast at Tiffany’s [1958]. New York, The Modern Library, 1994.
2. M. Thomas Inge (Editor). Truman Capote Conversations. Jackson, University Press of Mississippi, 1987.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.