BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Sunday, July 22, 2018


“The Woman in Cabin 10” by Ruth Ware (post 3): Protagonist reads “The Bell Jar” by Sylvia Plath, who also had both depression and multiple personality

At the end, the protagonist, Lo Blacklock, a writer, has survived a harrowing threat to her life, has reconciled with her boyfriend, and looks like she will live happily ever after, except for one thing:

One of the books Lo had brought with her to the cruise ship was The Bell Jar by Sylvia Plath. Ruth Ware highlights this fact by mentioning it three times (1, pp. 250, 261, 264), but its meaning is not explained.

Sylvia Plath was a writer who committed suicide.

Ruth Ware may have thought that the one and only connection between Lo and Plath was depression, since Plath had been traditionally diagnosed with depression, and Lo has taken antidepressant medication for many years.

But Plath, like Lo (see previous posts), probably had both depression and multiple personality. Indeed, Plath’s symptoms of multiple personality are known in much greater detail. Search “Plath” and “Bell Jar.”

One of Lo’s favorite books, Winnie-the-Pooh, includes the character Tigger (1, p. 287). I don’t think any literary allusion about multiple personality was intended, but, coincidentally, “Tigger” had been used as a name by one of Doris Lessing’s alternate personalities. Search “Lessing.”

1. Ruth Ware. The Woman in Cabin 10. New York, Scout Press, 2016.

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