BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, July 29, 2018


“Long Black Veil” by Jennifer Finney Boylan (post 9): Judith says that before sex-reassignment surgery, she had been “like a ghost or sentient mist”

According to the conventional view, the transsexual woman, prior to sex-reassignment surgery, already has a solid female consciousness.

But Judith says that prior to sex-reassignment surgery, she “had been more like a ghost, or some kind of sentient mist”:

“It occurred to me that after a while, the present trumps the past—that I had been a woman almost exactly as long as I had been a man, that I had been a mother for all but two of my son’s seventeen years, that whatever I had been, I had been something else for far longer. Plus, I had been solid, unlike my younger self, who had been more like a ghost, or some kind of sentient mist” (1, p. 147).

Is the conventional view wrong, or is Judith unconventional?

1. Jennifer Finney Boylan. Long Black Veil. New York, Crown, 2017.

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