BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, September 7, 2018


“The Lotus and the Storm” by Lan Cao (post 3): Mai has blackouts, self-injury, and sees her “split self” in mirror, so family calls in thay phap exorcist

It is now 1971 in Vietnam and Mai, thirteen, has found bruises on her body. She does not recall how the bruises got there, but her grandmother, who has seen her injure herself, says, “Don’t hit yourself anymore. I will hold your hands and tie them to mine if I have to” (1, p. 178). I previously discussed self-injury in multiple personality in regard to Gillian Flynn’s Sharp Objects.

Like other persons with multiple personality, Mai may see one of her alternate personalities when she looks in a mirror. So she avoids looking in mirrors. She says, “I do not permit myself to look. I am too aware of what I might see, an eerie manifestation of a new, split self that adopts my form and face and stands in a spark of angry, grievous judgment of all that has occurred” (1, p. 179).

At least in retrospect, Mai is psychologically-minded, and speaks in terms of a “split self,” but her teacher and family think she is the victim of spirit possession: “Overtaken by more blackouts, I am sent home from school again. Whatever my teacher saw caused her to describe the incident to Mother as something ‘like being possessed’ ” (1, p. 185).

So her family calls in a thay phap, who says, “There are hundreds of spirits of all kinds. There are those who guide and those who harass, sometimes deliberately, sometimes not. I will work to exorcise the malevolent ones” (1, p. 189).

1. Lan Cao. The Lotus and the Storm. New York, Viking, 2014.

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