BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, October 11, 2018


Three reviews say identity and memory are core concerns in “The Witch Elm” by Tana French (post 5): These are core concerns of multiple personality

“The narrative is fueled by some of the same themes French has explored in the past. It’s reminiscent of The Likeness (2008) in the way it challenges the idea of identity as a fixed and certain construct. And the unreliability of memory was a central issue of her first novel, In the Woods (2007)” (1).

“In the current novel, Toby can’t even be sure of his own past and keeps returning to the holes in his memory…” (2).

“At its core is the impaired Toby’s struggle to make sense of his own memory and identity…Nothing in this book can be trusted, not even Toby’s claims that his brain is untrustworthy” (3).

Characters with 1. a changeable sense of identity, and 2. memory gaps, should make reviewers think of multiple personality. I don’t know whether this particular novel has enough information about the character to make a formal diagnosis, but reviewers of psychological novels should know that identity and memory are the core issues of multiple personality.

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