BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Saturday, October 6, 2018


“The Piano Tuner” by Daniel Mason: Page preceding Chapter 1 defines “fugue” as 1. A polyphonic [musical] composition…, 2. Psychiatry. A flight from one’s own identity…

Daniel Mason’s first novel, The Piano Tuner (1), was written when he was still a medical student. After publishing the novel and graduating from medical school, he specialized in psychiatry.

On the page before chapter one, he quotes an Oxford English Dictionary definition of “fugue” that features not only the musical, but also the psychiatric sense of the word (2, p. 9). He evidently wants the reader to include a psychiatric interpretation. Search “fugue” in this blog for past posts that discuss it.

Before Edgar Drake, the piano tuner, leaves London on his mission to Burma (in 1886), his wife Katherine “watched her husband wander absentmindedly through the house” (2, p. 29). Search “absent-minded” in this blog to see past posts on what absentmindedness sometimes implies.

Katherine also wanted to “tell Edgar not to return [from Burma] with a ridiculous new name” (2, p. 40). She had heard that some people who go to Burma come back with a Burmese name, which she took as proof that the war in Burma was a “boys' game,” but which also could be interpreted as getting a name for an alternate personality.

1. Wikipedia. “The Piano Tuner.” https://en.wikipedia.org/wiki/The_Piano_Tuner
2. Daniel Mason. The Piano Tuner. New York, Alfred A. Knopf, 2002.

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