BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, November 17, 2018


“Marnie” by Winston Graham (post 5): Marnie’s session with psychiatrist—confusing to both him and her—is right from textbook on multiple personality

Marnie’s mother is alive. There are several scenes in which Marnie visits her mother. Indeed, providing her mother with financial support, and looking like a success to her mother, are why Marnie has secretly been a thief.

However, Marnie has told her husband that both of her parents are deceased. And she has told the same thing to the psychiatrist her husband sent her (after she attempted suicide on their honeymoon).

During one of Marnie’s sessions with the psychiatrist, he says:
“Let’s see, have you one parent alive or both?”
“What d’you mean? You know they’ve been dead seventeen years, both of them.”
“I beg your pardon.”
“You’re thinking of your next patient, not me.”
“No,” he said, “I was thinking of you” (1, p. 441).

Evidently, one of Marnie’s alternate personalities had referred to one of her parents as being alive, which puzzled the psychiatrist, since she had previously told him that both her parents were deceased. He thought he must have previously misunderstood her—maybe both her parents were living—so he asked her, “Let’s see, have you one parent alive or both?”

However, Marnie, now back in the personality who had told him that both her parents were deceased, has a memory gap for having told him otherwise, and thinks that he must be confusing her with one of his other patients.

This kind of confusion in getting a patient’s personal history is right out of the textbook on multiple personality (2, p. 72).

1. Winston Graham. The Forgotten Story [1945]. Marnie [1961]. Greek Fire [1957]London, Chapmans, 1992.
2. Frank W. Putnam, MD. Diagnosis and Treatment of Multiple Personality Disorder. New York, The Guilford Press, 1989.

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