BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Saturday, November 10, 2018


High Heels: Article in Wall Street Journal says high heels are out of fashion, but fails to understand how they make women more sexually attractive


High heels have nothing to do with literature and multiple personality, but I can’t help comment, because I once published an article in a psychiatric journal about the psychology of personal appearance. It is the third article cited in Wikipedia’s entry on sexism. https://en.wikipedia.org/wiki/Sexism

This is the basic principle regarding what it is in clothing and makeup that makes a person more sexually attractive (other than by correcting abnormalities): It exaggerates an average anatomical difference between the sexes.

The first thing that people think of in regard to high heels is that they make a woman taller. Actually, in regard to sexual attractiveness, this is a drawback to high heels—because women are, on average, shorter than men—and being made taller detracts from a woman’s sexual attractiveness unless she is abnormally short.

The anatomical difference between men and women that high heels exaggerate is that women’s feet, on the average, are proportionately smaller. (Hence, the story of how Cinderella’s small feet were prized.)

Historically, one thing that was done to make women’s feet smaller was foot binding, https://en.wikipedia.org/wiki/Foot_binding, but that was abandoned for obvious reasons.

High heels, like foot binding, impair a woman’s mobility, but the main thing they do to enhance sexual attractiveness is to create an optical illusion that the woman’s feet are smaller than they actually are, because, visually, the length of a person’s foot is the length of their body (when they are standing) that is parallel to the ground. And when a woman wears high heels, her foot appears shorter, because only the front of her foot is parallel to the ground.

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