BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, December 11, 2018


“Money” by Martin Amis (post 3): Protagonist’s host personality experiences his alternate personalities as voices who sometime take over

“There are, at the latest count, four distinct voices in my head. First, of course, is the jabber of money…Second is the voice of pornography…Third, the voice of aging and weather, of time travel through days and days, the ever-weakening voice of stung shame, sad boredom and futile protest…Number four is the real intruder. I don’t want any of these voices but I especially don’t want this one…It has to do with quitting work…It has the unwelcome lilt of paranoia, of rage and weepiness…I wish I could flush them out of my head…But once they’re there…they seem pretty determined to stick around” (1, pp. 104-105).

“Then I said, or perhaps one of my voices said it for me…” (1, p. 128).

Comment
The above is a description of multiple personality. I will be interested to see if it is ever recognized as such by any narrator or character, or whether it is treated as a nonspecific emotional disturbance, what I call “literary madness.”

Wikipedia speaks of the character’s “psychosis” (but multiple personality is not a psychosis) and “breakdown” (but that term is not specific) (2).

I have looked at several reviews, but none mentions multiple personality.

1. Martin Amis. Money: A Suicide Note [1984]. New York, Penguin Books, 2010.
2. Wikipedia. “Money (novel).” https://en.wikipedia.org/wiki/Money_(novel)

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