BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, December 20, 2018


“Motherless Brooklyn” by Jonathan Lethem (post 6): Protagonist does not see Bailey, but the latter has the virtual reality of an alternate personality

At the beginning of this novel, the protagonist and first-person narrator, Lionel Essrog, hopes to see his “invisible companion named Billy or Bailey” (1, p. 46).

Two hundred pages later, he still wants to know, “Who was Bailey anyway?” (1, p. 246).

And on the last page, “Bailey” remains someone “I never happened to meet” (1, p. 311).

Note: On that last page, Lionel compares Bailey to Ullman, a real person in the story whom Lionel had also never seen. By comparing Bailey to Ullman, Lionel is making the point that Bailey is real, too.

Nevertheless, Lionel never expects anyone else to ever meet Bailey, because Lionel knows that Bailey is not real to other people. Lionel is in touch with objective reality. Multiple personality is not a psychosis.

In Motherless Brooklyn, as in most novels, the issue of multiple personality, per se, is unacknowledged, probably because it is one mystery that the novelist has not yet solved.

1. Jonathan Lethem. Motherless Brooklyn. New York, Doubleday, 1999.

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