BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, December 23, 2018


“Mrs Dalloway” by Virginia Woolf (post 11): Author later said Clarissa and Septimus are “doubles,” but “doubles” is not in the text. What is the lesson?

The text does describe Clarissa’s reaction to Septimus’s suicide in a way that is consistent with their being doubles:

“She had escaped. But that young man had killed himself. Somehow it was her disaster—her disgrace…She felt somehow very like him—the young man who had killed himself. She felt glad that he had done it…” (1, pp. 157-158).

But the text does not tell the reader that they are doubles, per se. If the author had not later said so, it would not be known.

“Doubles” is a literary metaphor in which what are depicted as two persons are actually the alternate personalities of one person.

And the text does not tell the reader that that is what Virginia Woolf had in mind (although readers might read that into the text once they knew what the author had said).

The lesson is that novels which look like they have nothing to do with multiple personality might be revealed to involve multiple personality if the author were to disclose what was in her mind.

1. Virginia Woolf. Mrs Dalloway [1925]. Oxford, Oxford University Press, 2009.

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