BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Monday, December 24, 2018


“Fiction’s Fake New Drugs” by Jonathan Lethem (post 7): He does not say so, but fiction writers’ imaginary drugs mimic aspects of multiple personality

Symptoms of multiple personality include switching to be like a different person; doing things you don’t remember doing; segregating memories of trauma in alternate personalities and behind walls of amnesia so they won’t trouble the regular personality. Do fiction’s fake new drugs mimic aspects of multiple personality, because fiction writers have experienced it?

“Sense-derangementwise, it was unlike acid in that it was not a question of the ‘Essential-I’ having new insights, but of becoming a different person entirely” (1).

“Cut to the next morning: ‘I wrote someone an email in my sleep!’ Now Ray looked at Christa. ‘Did you give her one of my Vernixes? You gave her one of my Vernixes, didn’t you!’ … I was just standing there agape. ‘You gave me some pills that make you email in your sleep?’” (1)

“to encourage them to ‘enfold’ their trauma by tucking it into cognitive corners where it won’t trouble them anymore” (1).

“Perhaps the most committed of the new drug novels, Ottessa Moshfegh’s ‘My Year of Rest and Relaxation' raises the stakes beyond mere amnesiac nocturnal emailing or the deletion of a few wartime traumas: Infermiterol, prescribed as a sleep aid — by surely one of the very worst psychiatrists in the history of fiction — turns out to offer possibilities for living one’s entire life behind a veil of forgetting (something Moshfegh’s book reminded me I’d once toyed with myself, in a substance called Forgettol from my first novel, 'Gun, With Occasional Music’; I’d nearly forgotten it)” (1).

1. Jonathan Lethem. “Fiction’s Fake New Drugs.” New York Times, Dec. 24, 2018. https://www.nytimes.com/2018/12/24/books/review/fiction-fake-drugs.html

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.