BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Saturday, December 29, 2018


Confusion as Hypnosis-induction and Literary Technique: Novels may be hard to read when not written clearly, but sometimes confusion is intentional

When novels are hard to read, it is not always because authors did not bother to write clearly. Another possible reason is that confusion is being used as a literary technique.

To fully enjoy a novel, many readers go into a virtual trance state to immerse themselves in the world that the author has created. In that sense, novelists are trying to hypnotize readers, and it is a good thing.

One of the oldest hypnosis induction techniques is The Confusion Technique, associated with Milton H. Erickson, M.D. (1).

Here is a link to an online discussion of the basic idea: https://www.uncommon-knowledge.co.uk/articles/uncommon-hypnosis/art-of-confusion.html

Before a novelist can use confusion to entrance readers, he must first establish himself as a good writer, and one who certainly does know how to write clearly. But once writers have established themselves as bona fide and legitimate, then readers will naturally assume that if they don’t understand what they are reading, it must be profound.

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