BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Saturday, February 9, 2019


“Things Fall Apart” by Chinua Achebe (post 2): An un-novelistic novel with almost nothing indicative of multiple personality

The novel’s description of its particular ethnic group in Nigerian history is interesting, but not flattering. For example, it is mentioned in passing that they kept “slaves” (1, p. 40).

And for a highly praised novel, it has surprisingly little character development or plot:

Character development: Okonkwo, the protagonist, is happy when he can be manly, but unhappy when he is prevented from acting manly.

Plot: Okonkwo accidentally kills someone from his community, and is banished for seven years. After his return, he impulsively kills a colonial messenger, after which he commits suicide.

One thing in this novel that I thought might be relevant here is that Okonkwo’s (and the author’s) people killed all infant twins. And twins in literature are often a metaphor for multiple personality. But nothing psychological is made of this religiously dictated practice. And whereas the author’s Nigerian people killed twin babies, another Nigerian people honored twins (2). So the infanticide of twins, like the keeping of slaves, is just a cultural practice.

The only thing in this novel that is probably relevant to multiple personality is that the community’s oracle seemed to become like another person when she became oracular. So she may have had multiple personality, but I don’t see that as a reflection on the author (unless he had a tendency to become oracular).

In short, I found this novel to be not very novelistic in its meager character development and plot. And aside from the oracle, I found nothing indicative of multiple personality.

1. Chinua Achebe. Things Fall Apart [1958]. New York, Everyman/Knopf, 1992.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.