BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Saturday, March 30, 2019

Namelessness: It is NOT an experimental, dystopian, or any other kind of literary technique. Then what is it, and what does it mean?

In every life circumstance from the best utopia to the worst dystopia, everyone has a specific designation, a name and/or number. People themselves like to have a name, to distinguish themselves from other people. People in power want everyone to have a name or number, so they can get everyone’s attention, tell them what to do, and keep track of them.

The only life circumstance with namelessness is multiple personality. Some alternate personalities don’t have a name.

For example, let’s say a person (the regular, host personality) is not a poet, is not interested in poetry, and never writes poems. But, unknown to them, they have an alternate personality who does write poems—usually at night, when the host personality assumes they have been sleeping—and that particular alternate personality does nothing else but write poems for their own private enjoyment. They keep the poems in a hiding place, and nobody else knows about either them or their poems. Why would such an alternate personality need a name? They don’t need a name, and they may not have one.

(This is a real life example, discovered when a person’s host personality had gone into a place in her apartment where she had not been in the habit of going, and found handwritten poems whose existence she couldn’t account for. In my interviewing her about these poems (without drugs or hypnosis), she switched to a nameless alternate personality, who knew all about the poems. When the person switched back to her regular personality, she had amnesia for my conversation with the poem-writing alternate personality.)

Namelessness does not, and would not, occur in any life situation other than multiple personality. So when you see it in fiction writing, it is usually not an intentional literary technique, but a manifestation of the fiction writer’s trait of multiple personality.

For further discussion of this recurring topic, search “namelessness” and “nameless.”

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.