BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, April 2, 2019


“Milkman” by Anna Burns (post 6): First-person narrator thought mad due to “memory lapses, mental separations, and splittings-off from consciousness”

“You’re a mad person.”
Once more this was me talking to myself” (1, p. 138).

“In my memory-lapse moments…” (1, p. 166).

“…she [her trusted friend] interrupted. ‘God. I can’t believe this. Your head! Your memory! All those mental separations and splittings-off from consciousness’…I’d experience illusions of never having been stopped previously by the state security forces when it was obvious I was stopped by them, she maintained, all the time…She ended this talk on surveillance and my disappearance into other dimensions…Given I was now a beyond-the-pale, reputed to read-while-walking as if sitting down; prone, according to the community, to back-to-front reading, starting on the last page and working back to the front page in order to pre-empt narrative surprises…[and she told me that I’d] pretend to give directions to invisible people — all while reading-while-walking…” (1, pp. 207-208).

1. Anna Burns. Milkman. Minneapolis Minnesota, Graywolf Press, 2018.

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