BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Wednesday, May 15, 2019


“Moby-Dick” by Herman Melville (post 2): Why does Ishmael occasionally address himself in the third-person? What does he mean by “Call me Ishmael”?

My previous post on Melville discussed the multiple personality in his novel The Confidence-Man. I have just started Moby-Dick, and am struck by Ishmael’s recurrent habit of addressing himself in the third person. The following example is from Chapter 10, in which Ishmael (first-person narrator) and Queequeg become friends.

“I was a good Christian; born and bred in the bosom of the infallible Presbyterian Church. How then could I unite with this wild idolator in worshipping his piece of wood? But what is worship? thought I. Do you suppose now, Ishmael, that the magnanimous God of heaven and earth — pagans and all included — can possibly be jealous of an insignificant bit of black wood? Impossible! But what is worship? — to do the will of God? — to do to my fellow man what I would have my fellow man do to me — that is the will of God. Now, Queegueg is my fellow man” (1, p. 96).

Is Ishmael being addressed by an alternate personality? Or does the author have multiple personality, and so thinks of being addressed in the third-person by an alternate personality as just ordinary psychology? Or is it merely a way to remind the reader of the name of the narrator? Or is it typical of most people to speak to themselves in the third person when they are thinking about something (and so these occasional switches to third-person are simply designed to help the reader identify with the narrator)?

“Call me Ishmael”
Reconsider the novel’s famous first line: “Call me Ishmael.” Is that spoken by an alternate personality who has a different name than “Ishmael”?

Does he mean, “My real name is not Ishmael. But what my real name is, is for me to know and you to find out; or, I hope, for you not to find out. So you can just call me ‘Ishmael.’ That’s what I always tell people”?

1. Herman Melville. Moby-Dick, or The Whale [1851]. London, Macmillan Collector’s Library, 2016.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.