BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

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Saturday, May 18, 2019


“Moby-Dick” by Herman Melville (post 5): Narrative Structure of Multiple Personalities who have Memory Gaps for each other’s chapters

One of the most commented upon features of this novel is the inconsistency of its narrative point of view. For example, as noted in the previous post, one chapter may be first-person narration by Ishmael, while another chapter may be first-person by Ahab.

So far, Ishmael has been the most common narrator, and starting with the first sentence, “Call me Ishmael,” he often addresses himself to the reader. Indeed, explaining this and that to the reader, often at length, is what he does.

But Ishmael, who routinely acknowledges that this is a book with chapters, appears to be totally unaware that other characters have had their own chapters. He does not comment on what Ahab has said to the reader, because he is unaware of it. How can this be? What could account for it?

These multiple narrators are like multiple personalities, who have memory gaps for the periods of time that another personality had come out and been in control.

This narrative structure probably reflected how Melville’s mind worked.

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