BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Sunday, May 19, 2019


“Moby-Dick” by Herman Melville (post 7): Are Ahab’s “five phantoms” his alternate personalities, and thus all part of one man?

Suddenly, the crew sees that Captain Ahab is “surrounded by five dusky phantoms that seemed fresh formed out of air” (1, chapter 47, p. 305).

The leader of the five phantoms is Fedallah, and after some time has passed, it evolves “that while the subordinate phantoms soon found their place among the crew, though still as it were somehow distinct from them, yet that hair-turbaned Fedallah remained a muffled mystery to the last. Whence he came in a mannerly world like this, by what sort of unaccountable tie he soon evinced himself to be linked with Ahab’s peculiar fortunes; nay, so far as to have some sort of half-hinted influence; Heaven knows, but it might have been even authority over him; all this none knew, but one cannot sustain an indifferent air concerning Fedallah. He was such a creature as…people…only see in their dreams, and that but dimly…” (1, chapter 50, pp. 324-325).

Later in the voyage, after Ahab and his five-phantom, personal boat crew kill a whale, he talks with Fedallah (aka Parsee) about his recurrent dream. Ahab insists it means that he will “slay Moby-Dick and survive it,” but Fedallah, cryptically, seems to disagree.

At the end of their conversation, “Both were silent again, as one man” (1, chapter 117, p. 662).

1. Herman Melville. Moby-Dick or The Whale [1851]. London, Macmillan Collector’s Library, 2016.

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