BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Sunday, June 16, 2019


Publishers Usually Fail to Fact-check Their Nonfiction Books: So how can you know what to believe? Is published more credible than self-published?

A recent book review in The New York Times vehemently denounced a well-known nonfiction author for making factual errors in book after book. But the review had no criticism at all for the publisher. Why?

Two reasons. First, publishers advertise, and newspapers may not want to bite the hand that feeds them. Second, supposedly, everyone knows that publishers usually don’t fact-check.

But many readers probably do assume that published nonfiction books are more credible than self-published nonfiction books, because only the published books would have been fact-checked. After all, if they had not been fact-checked, why would they deserve a premium price?

Do the authors of published nonfiction books have better professional credentials than self-published authors? Not necessarily. Published nonfiction books may misrepresent the author’s credentials or misrepresent their sufficiency to understand the matter at hand.

So knowing what to believe may be difficult, especially if what you are asked to believe may not be in your financial interest.

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