BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Monday, June 24, 2019

Ian McEwan (post 2): Unreliability of “Enduring Love”

In yesterday’s post, I quoted McEwan as saying that in his novel, Enduring Love, he intended to mislead readers into doubting the protagonist’s claim that a man he hardly knew had a fixation on him, a rare delusional disorder called de Clérambault’s syndrome.

McEwan said he would have been happy for readers to think that the protagonist might be crazy, and that it was even possible that the other man was imaginary (an alternate personality?).

But in the end, the protagonist would be proved right, and the other man would be psychiatrically hospitalized.

McEwan said that he did not think of the beginning of the story, a key to much of what will happen, until he had written about half of the novel.

He also said that the greatest pleasure he has found in fiction-writing is that he is surprised by what happens. See yesterday’s post for the quote.

Without explanation, he said that his enjoyment in writing entails “Making something that seems to come from a mind that is better than your own.” What mind it that? His alternate personality?

If McEwan had been inspired by reading an article about de Clérambault’s syndrome, why did he write a novel in which a man has a fixation on a man? In most reported cases of de Clérambault’s syndrome, the delusion is heterosexual.

And it would have been a nice trick to fool the reader if the protagonist’s credibility problem had been unfair. But the protagonist’s actual unreliability appears to have been pervasive (1).

I plan to read Enduring Love.

1. Sean Matthews. “Seven types of unreliability.” Pages 91-106, in “Ian McEwan’s Enduring Love” [1997], Edited by Peter Childs. London, Routledge, 2007.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.