BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, June 13, 2019


Childhood and Alternate Personalities in Paracosm, Mythopoeia, Subcreation, Worldbuilding, Fictional Universe, and Fantasy World

The above terms are roughly synonymous, but may be used by different people and groups, who may or may not be familiar with their possible connection to childhood and alternate personalities.

The two types of fiction writing previously discussed here are Paracosm and Mythopoeia.

Paracosm is the only one that I know to have been studied as a feature of childhood.

I have discussed Mythopoeia as a function of alternate personalities, in that some alternate personalities like to make up stories, an attribute referred to as the mythopoetic function of alternate personalities.

Are writers who use any of the above (or similar) terms for their writing aware of the possible connection to childhood and alternate personalities?
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