BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Wednesday, August 7, 2019

Toni Morrison vs. Chloe Wofford: Who was the writer? Did the wrong personality get credit for the novels and win the Nobel Prize?

In a recent post, I made the mistake of saying that a writer’s pseudonym is probably the writing personality. That may be true in some instances, but for me to make a generalization was presumptuous, because each person with multiple personality is unique.

For example, I was just looking at a video of an old interview in which the Chloe Wofford personality said that she did the writing and that the Toni Morrison personality had other responsibilities.

In any case, for this great novelist, the subjective distinction between Chloe Wofford and Toni Morrison was not a joke. It was a problem that plagued her at least since the publication of her first novel, through her winning the Nobel Prize, and for the rest of her life, during which the wrong one (from the point of view of the Chloe Wofford personality) got credit.

Of course, multiple personality is not a psychosis. She knew, objectively, that she was one person, and that the subjective distinction between Chloe and Toni was not real. But to her, subjectively, to borrow a phrase she used to describe her experience of the writing process, the distinction between Toni and Chloe may have sometimes seemed “more real than real.”

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