BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

— Share site with friends.

Thursday, August 15, 2019


“Cover Her Face” by P. D. James (post 2): Author’s hero of opposite sex may be clue to author’s multiple personality trait

From Miss Marple and Nancy Drew to the present day, it has been obvious that very successful fictional detectives may be female. So P. D. James probably had personal reasons for making her hero (Adam Dalgliesh) a man.

I used to have the misconception that detective novelists, since their stories have to be so carefully plotted, are not subject to the same psychology (multiple personality trait) as literary novelists. But when I studied various detective novelists (Agatha Christie, Arthur Conan Doyle, Sue Grafton, etc.), I found that they, too, had multiple personality trait, although the evidence for it may be in lesser known things that they said or wrote.

I don’t know if there is any such evidence for P. D. James. So far, all I know (beyond what I said in the previous post) is that she, as is true of many novelists, had a sense that her novels came to her (from alternate personalities?), not from her (regular personality):

“It is almost as if the whole book and the people already exist in some limbo outside myself and it is my business, by a long process of thought and effort, to get in touch with them and put them down on paper” (1, p. 4).

Moreover, a number of novelists have acknowledged that their heroes or heroines are their idealized alter egos (alternate personalities).

And it is common in multiple personality to have some alternate personalities of the opposite sex.

So, all in all, I am tempted to consider an author’s hero of the opposite sex as a clue to the author’s multiple personality trait. (A hero of the same sex is neither for nor against it.)

1. Richard B. Gidez. P. D. James. Boston, Twayne Publishers, 1986.

No comments:

Post a Comment

Thank you for taking the time to comment (whether you agree or disagree) and ask questions (simple or expert). I appreciate your contribution.