BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

— Each time you visit, search "name index" or "subject index," choose another name or subject, and search it.

— If you read only recent posts, you miss most of what this site has to offer.

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Tuesday, December 17, 2019


“I wandered lonely as a cloud” (“Daffodils”) by William Wordsworth (post 2): The problem with the metaphor is that clouds, being inanimate, don’t have feelings

A more sensible metaphor would have been a lone bird, who might very well have felt lonely. So did Wordsworth make a mistake in his choice of metaphor or did he have his reasons? Here is the poem in its entirety:

I wandered lonely as a cloud
That floats on high o'er vales and hills,
When all at once I saw a crowd,
A host of golden daffodils;
Beside the lake, beneath the trees,
Fluttering and dancing in the breeze.

Continuous as the stars that shine
and twinkle on the Milky Way,
They stretched in never-ending line
along the margin of a bay:
Ten thousand saw I at a glance,
tossing their heads in sprightly dance.

The waves beside them danced; but they
Out-did the sparkling waves in glee:
A poet could not be but gay,
in such a jocund company:
I gazed—and gazed—but little thought
what wealth the show to me had brought:

For oft, when on my couch I lie
In vacant or in pensive mood,
They flash upon that inward eye
Which is the bliss of solitude;
And then my heart with pleasure fills,
And dances with the daffodils (1).

There are two ready rebuttals to my quibble about clouds. First, this poem is very successful and people like it just the way it is.

Second, if I try to imagine a lonely cloud, I imagine a book written for very young children, whose protagonist is a cloud. (I don’t know if there is such a book, but it seems to me that there could be.) In one edition of this series, the cloud could be lonely at the beginning, but not by the end.

In other words, the metaphor of a lonely cloud is valid, but at an early stage of cognitive development, before the distinction between animate and inanimate objects is firmly entrenched. So the question for this poem becomes why Wordsworth, as an adult writing for adults, used a metaphor more suitable for a child.

Was Wordsworth inspired to use the cloud metaphor by a child-aged alternate personality? Perhaps he even had a child-aged alternate personality named The Cloud. I certainly have no way of knowing the details and specifics. But is there any evidence at all that Wordsworth had multiple personality?

This is not my first post about Wordsworth (search “Wordsworth”). Previously, I briefly discussed his double consciousness; i.e., his multiple personality.

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