BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Tuesday, February 11, 2020

“Dust Tracks on a Road” (autobiography) by Zora Neale Hurston (post 2): Visions given to host personality by alternate personality while host is asleep

The best-known way for an alternate personality to communicate with the regular, host personality, is to speak as a voice in the host’s head. Another way is for the alter to put images in the host’s mind, either when the host is awake or asleep.

As an alternate personality once said, “I show her [the host personality] images a lot, even while she’s awake, of memories and things I feel and want to do. But she sees them best if I show them to her while she’s dreaming” (1, p. 77).

“Visions”
Here is how Zora Neale Hurston distinguished between her regular dreams and her “visions”: “I do not know when the visions began. Certainly I was not more than seven years old…There was no continuity as in an average dream. Just disconnected scene after scene with blank spaces in between…These visions would return at irregular intervals. Sometimes two or three nights running. Sometimes weeks and months apart. I had no warning. I went to bed and they came…I never told anyone around me about these strange things. It was too different. They would laugh me off as a story-teller…Oh, how I cried out to be just like everybody else! But the voice said no” (2, pp. 41-43).

1. Deirdre Barrett. “Dreams in Multiple Personality Disorder,” pages 68-81 in Trauma and Dreams, edited by Deirdre Barrett. Harvard University Press, 1996.
2. Zora Neale Hurston. Dust Tracks on a Road. New York, Harper Perennial Modern Classics, 1942, 2006.

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