BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Thursday, July 30, 2020

“Mary Poppins Comes Back” by P. L. Travers (post 6): Mary Poppins has a major memory gap for what has just happened in the chapter “Topsy-Turvy”

“What a funny family you’ve got,” Michael remarked to her [Mary Poppins], trying to make conversation.

Her head went up with a jerk.

“Funny? What do you mean, pray — funny?”

“Well — odd. Mr. Turvy turning Catherine wheels and standing on his head——”

Mary Poppins stared at him as though she could not believe her ears.

“Did I understand you to say that my cousin turned a Catherine wheel? And stood on——”

“But he did,” protested Michael nervously. “We saw him.”

“On his head? A relation of mine on his head? And turning about like a firework display?” Mary Poppins seemed hardly able to repeat the dreadful statement. She glared at Michael…

Michael leant toward Jane.

“But it was true — what I said. Wasn’t it?” he whispered.

“Jane shook her head and put her finger to her lip. She was staring at Mary Poppins’ hat. And presently, when she was sure that Mary Poppins was not looking, she pointed to the brim.

“There, gleaming on black shiny straw, was a scattering of crumbs, yellow crumbs from a sponge-cake, the kind of thing you would expect to find on the hat of a person who had stood on their head to have tea” (1, pp. 114-115).

If any reader had missed it or doubted it from previously noted examples, the author wants to make it very clear that, for Mary Poppins, memory gaps are typical. [Memory gaps are a cardinal symptom of multiple personality.]

But the question remains as to what memory gaps meant to the author. Did the author, herself, have memory gaps, and so saw them either as ordinary psychology or as something found in special people?

1. P. L. Travers. Mary Poppins Comes Back [1935]. Boston, Houghton Mifflin Harcourt, 1997.

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