BASIC CONCEPTS

— When novelists claim they do not invent it, but hear voices and find stories in their head, they are neither joking nor crazy.

— When characters, narrators, or muses have minds of their own and occasionally take over, they are alternate personalities.

— Alternate personalities and memory gaps, but no significant distress or dysfunction, is a normal version of multiple personality.

— normal Multiple Personality Trait (MPT) (core of Multiple Identity Literary Theory), not clinical Multiple Personality Disorder (MPD)

— The normal version of multiple personality is an asset in fiction writing when some alternate personalities are storytellers.

— Multiple personality originates when imaginative children with normal brains have unassuaged trauma as victim or witness.

— Psychiatrists, whose standard mental status exam fails to ask about memory gaps, think they never see multiple personality.

— They need the clue of memory gaps, because alternate personalities don’t acknowledge their presence until their cover is blown.

— In novels, most multiple personality, per se, is unnoticed, unintentional, and reflects the author’s view of ordinary psychology.

— Multiple personality means one person who has more than one identity and memory bank, not psychosis or possession.

— Euphemisms for alternate personalities include parts, pseudonyms, alter egos, doubles, double consciousness, voice or voices.

— Multiple personality trait: 90% of fiction writers; possibly 30% of public.

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Friday, August 7, 2020

“Little Fires Everywhere” by Celeste Ng: Novel suggests that Izzy, who intentionally destroys her family’s house by fire, has multiple personality

Teenager Isabelle “Izzy” Richardson is said by her brother to have “always been mental,” and that now, after setting the fire, “When Mom and Dad find Iz, they are going to lock her up in a psych ward for the rest of her life” (1, p. 7), perhaps implying that Izzy had previously been psychiatrically hospitalized, but only temporarily.

Most of the rest of this novel gives reasons why Izzy is upset with her family, and nothing further is said about psychiatrically hospitalizing her. At the end, her mother just wants to find her. But the description of how Izzy is thinking at the time she is starting the fire suggests multiple personality:

“It was as if she were standing outside herself, watching someone else do these things” (1, p. 323).

But even if this novel does suggest multiple personality, it is not explicitly labeled or acknowledged as such, which is the usual case in novels. Why? My theory is that most fiction writers have personal experience with the symptoms of multiple personality trait (multiple personality without distress or dysfunction) (they write novels and don’t start fires), but they usually do not think of it in those terms.

1. Celeste Ng. Little Fires Everywhere. New York, Penguin Press, 2017.

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